翻訳と辞書
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・ Tinthia ruficollaris
・ Tinthia xanthospila
・ Tinti Molina
・ Tinti-Oulen
・ Tintic High School
・ Tintic Standard Reduction Mill
・ Tintic War
・ Tintignac
・ Tintigny
・ Tintilia
・ Tintilinić
・ Tintin
・ Tintin (character)
・ Tintin (magazine)
・ Tintin and Alph-Art
Tintin and I
・ Tintin and the Blue Oranges
・ Tintin and the Golden Fleece
・ Tintin and the Lake of Sharks
・ Tintin and the Picaros
・ Tintin and the Temple of the Sun
・ Tintin and the World of Hergé
・ Tintin Anderzon
・ Tintin coins
・ Tintin home video releases
・ Tintin in America
・ Tintin in Thailand
・ Tintin in the Congo
・ Tintin in the Land of the Soviets
・ Tintin in Tibet


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Tintin and I : ウィキペディア英語版
Tintin and I

''Tintin and I'' (French: ''Tintin et moi'') is a 2003 documentary by Anders Høgsbro Østergaard, about Belgian writer-artist Georges Remi, better known as Hergé, and his creation Tintin. The film is a co-production of Denmark, Belgium, France, and Switzerland.
The film is based on Numa Sadoul's revealing interviews with Hergé from the 1970s, and goes into detail about Hergé's life and how the success of Tintin affected it. The film is based strongly around Hergé's experiences and state of mental health leading up to the writing of ''Tintin in Tibet'', often heralded as Hergé's most personal album. The history of Tintin is examined through Hergé's life and the way that he was affected by the growing popularity of his character.
== Theme ==
The underlying theme of the film is the way that Hergé's private life affected his work; for example, Bianca Castafiore is a subconscious (or perhaps conscious) reflection of Georges' first wife, Germaine, and the way that Captain Haddock responds to her reflects the way Georges often felt towards his wife. Specifically, the mothering instinct that Germaine had toward him is shown most explicitly in ''The Castafiore Emerald''. The subject of religion is also discussed, including Georges' gradual disillusioned view of the Catholic church, and the opposition he came up against due to Wolff's sacrifice in ''Explorers on the Moon''. The influence of Chang on Georges' work is also highlighted, using reconstructed footage and actual archive footage of their meeting in 1934.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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